Colloidal Silver Tea Tree

125 THE CANTATA PUKA Shipping RUNE Ileana Almeida (published in Diario Hoy de Quito) No. 124

The Puka Cantata Rune
Published in the Journal today 06/Junio/2010 is what is shown on the Puka Rune Cantata with the Indian People's Foundation paid tribute to its founder, Bishop Leonidas Proaño, the centenary of his birth, for the public to the Teatro Sucre warmly and sincere enthusiasm? The piece, with the help of over 170 people on stage, tells the story of the priest who was devoted to the realization of indigenous aspirations to overcome the isolation, poverty and plundering. It has the fascination exercised over him the Quichua culture, that despite the secular contempt that they have been victims have managed to preserve the sense of beauty in the souls of his people and the experience of reality as a source of consciousness. "Saving the indigenous cultures," said the Bishop of the Indians, before it's too late, because they retain the sense of community that could make sense of the future for all. " About

Proaño Bishop and the indigenous community, inseparable characters in history and in the Cantata, recreate symbolic values \u200b\u200band makes beautiful metaphors in spoken language, music, dance, singing, mime, scenery, all to tell a modern saga, which leads to understanding where it comes from true justice. The story depicts two cultures, the Quechua and mestizo, but warns the viewer as harmony in life and work of the prelate. We hear his words simple and enlightening as a backdrop, sung or spoken, sound resonates the Quichua language. The hypocrisy of the official Church, which fought both Proaño, contrasts with the humble land of the villagers work in successful choreographic interpretation. The bass voice singing in English makes a counterpoint to the purity of the soprano Quichua.

Interculturalism is possible when there is a sincere attitude in the work are recreated ancient rituals such as weaving red tape are shaping the world as legendary as he preaches the gospel of liberation theology. With business presence on stage is represented by the austere life Bishop: a table, naked beneath a dim window light. The conflict between the state and indigenous peoples, not just yet, symbolized by the murder scene of Lazarus Condo. It is a great credit to the filmmakers and performers have been internalized and show the possibilities of future projection of Quichua cultural codes with the property and demonstrate solvency in the short, too short, time allocated to them. The book has a brilliant final chorus, the symphony orchestra of Andean instruments and sing a hymn to the truth and love, in Quechua and English, while wearing white poncho Proaño Bishop, the only shield he used against the power attacks, rises to the heights to signify how real is still the Poncho Revolution.